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Jon Lewis
Gallery

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"Lewis has opened the door to a new way of seeing Australia" Robert McFarlane
Sydney Morning Herald 17/Nov/99


"It is the consistent revelation of this photographer's vigorous humanity together with Lewis's obvious delight in the sheer variation of form, age, sex, race and vocation of his subjects that disarms most criticism. Where the constant exposure to directly observed, standing subjects can occasionally pall, there is almost always the parallel agenda of Lewis's obvious affection for the people he photographs."
Robert McFarlane
Sydney Morning Herald 27/June/92


"Defining the units and rules which constitute such a language, Lewis made other points of visual literacy which could also be discussed in the context of this show. but fearing the editor's legendary impatience with all that semio-speak, I hasten to return to the promised land where a cat is a cat and a great show, a show which is really great."
Jacques Delaruelle
The Sydney Review 01/Oct/88


"The technical aspects of this exhibition are superb. It is a major work by a confident photographer. not an exhibition about photography, it is rather a rich experience of people - the famous, the infamous and the unknown. Like a good documentary film it takes us into places, or in this case faces. It amazes, amuses and fascinates."
Christine Godden

Sydney Morning Herald 16/Sept/88


"Jon Lewis is the bur that lies beneath the saddle of Australian photography. As a tenacious conversationalist and terminally energetic activist. Lewis has consistently attacked all that is pretentious in art photography while making a significant contribution of his own through several major documentary projects completed in the past decade"
Robert McFarlane

The Weekend Australian 10/Sept/88


"Yet there is an unmistakable warmth and humanity in these pictures. They form a loose travel dairy, with people and places snapped in a seemingly unstructured way."
John McDonald

Sydney Morning Herald 25/June/85


"His outlook is refreshingly extrovert but with a difference. He has a deep affinity for these people and he uses his camera with appropriate feeling, not just as an instrument for objective recording."
Max Dupain
Sydney Morning Herald 25/June/85


"There is a lot of wry humour in these pictures, but our smiles are always affectionate."
Terence Maloon

The Eastern Herald 20/June/85


Jon Lewis CV

Contents

 


Solo Exhibitions
1974 Bonython Gallery, Sydney
1976 Coventry, Sydney
Pentax Brummels Gallery, Melbourne
1978 A.N.Z. Gallery, Sydney
1985 Coventry Gallery, Sydney
1987 Coventry Gallery, Sydney
13 Verity Street, Melbourne
1988 Taman Ismail Marzuki, Jakarta, Indonesia
Solander Gallery, Canberra
Coventry Gallery, Sydney
1989 13 Verity Street, Melbourne
1989-93 Fnac Galerie Photo, Paris and throughout France and Belgium
1992 Coventry Gallery, Sydney
Stills Gallery, Sydney
1993

Musee national des Arts de IAfrique et de I'Oceanie, Paris, France

1999 Coventry Gallery, Sydney
Sturt Gallery, Mittagong

Selected Group Exhibitions

1975 Australian Centre for Photography, Sydney
1977 Hogarth Galleries, Sydney
1984 Lady Fairfax Awards, Art Gallery of New South Wales, Sydney
Australian Centre for Photography, Sydney
1985 Macquarie Galleries, Sydney
1986 Five Years On, Art Gallery of New South Wales, Sydney
1988 Black and White at Coventry, Coventry Gallery, Sydney
A Changing Relationship, S.H. Ervin Gallery
1989 Stadtische Galerie, Erlangen, Germany
Yellow House Exhibition, A.G.N.S.W. Sydney
Portrait Photography, A.N.G. Canberra
1990 Collection Photo de la Fnac, Paris, France
1991 La Galeria, Amsterdam, Netherlands
1992 Portrait of a Nation, Mitchell Library
1994 National Portrait Gallery - Canberra
Art Gallery of NSW
1995 Sydney Photographed MOCA Sydney
Smorgan Collection MCA Sydney
1996 Josef Lebovic Gallery
1997 Sherman Gallery
1997 London Photographers Gallery
1999 Yellow House Now - Michael Nagy Gallery

Festivals

1989 International Days of Photography, Montpellier, France
1993 Photofolie, Paris, France

Collections

  • Australian National Gallery

  • Private collections in Australia France, England, Netherlands & USA

  • Art Gallery of New South Wales

  • Philip Morris Art Purchase

  • Bibliotheque Nationale, France

  • Parliament House, Canberra

  • Fnac Collection

  • Centre Regional De La Photographie

  • Nord Pas-De Calais

  • Polaroid Collection, Germany

  • Health Commission, Canberra

  • Musee national des Arts de I'Afrique et de I'Oceanie

  • National Museum of Australia

 


Grants

1974 Visual Arts Board Grant
Experimental Film Fund, Australian Film Corporation
1989 International Program, Australia Council
1993 International Program, Australia Council

Teaching

1978 Resident Artist, All Saints College, Bathurst
1990 Parsons School of Design, Paris
1991 European Graphic Design, Paris
1994 College of Fine Art - U.NSW Sydney
1995/96/97 University of Technology, Sydney
Illawarra Institute of Technology, Goulburn

Photographs Published

Books
1989

Visual Instincts Australian Contemporary Photography - Australian Government Printer

1989

Reflection of Life - One of a Kind Photography - Idea Books, Germany

Magazines

Art & Australia
Art Network
New Poetry
Xpress Magazine
Camera Internationale
Photographies Magazine
Liberation
Le Monde


Published Written Articles

1978 The Death of T.G.H. Strehlow - The National Review, Oct 1978
1981 Charles William Bowman - Drover - GEO Magazine, Vol.3, No 4, 1981

Video/Film Production and Direction

1972 Yellow House Tapes
1974 Bush Video Productions - Australian National Gallery Collection
1975  'Dolphin Dreamin' Stills Photography for Film and Television Productions

"Stills" Photography for Film and Television Productions

1982 The Disappearance of Azaria Chamberlain - Edgecliff Films
1983 The Secret Discovery of Australia - Edgecliff Films
1984 From Neck to Knee - Albie Thoms Productions
1985 Eora Corroboree - Corroboree Films
1986 The House on the Coast, Deadalus Productions
The Marsupials - Howling 11 – Bancannia Productions
From the Mountains to the Sea - Bozado Productions

Television

1987

Photography interview by Stuart Goodman for ABC BILLBOARD

1990 Visual Instincts - Izon Productions
1993 Cercle de Minuit, Paris, France

Reviews

1974 Danielle Thomas - The Sydney Morning Herald
1985 Max Dupain - The Sydney Morning Herald
Robert McFarlane - The Australian
Terence Maloon - The Eastern Herald
1987 Alex McGregor - Metro: The Sydney Morning Herald
John McDonald - The Sydney Morning Herald
Robert McFarlane - The Australian
1988 Christian Godden - The Sydney Morning Herald
Jacques Delarulle - The Sydney Review
Robert McFarlane - The Australian
1989 Beatrice Faust - The Melbourne Age
Martyn Jolly - Photoffle
Brigitte Ollier - Liberation
1992 Robert McFarlane - The Sydney Morning Herald

Professional Summary

1971-72 Yellow House - Resident Artist
1974 Bush Video - Resident Artist
1975 Dolphin Dreamin' - Experimental film on dolphins
1978 Founder of Greenpeace Australia
1979 Travel and photography in Central Australia
1979-83 Commercial photography
1984 Commence photography work at Bondi
1986 Photography work in Indonesia
Commence studio portrait project
1987-88 Photography work in outback Australia
Travel and photography, London- Paris-New York
Polaroid 20" x 24" self-portraits N.Y.C.
Work with Djon Mundine 1988 Aboriginal Memorial
1989-91 Living and teaching in Paris, France
Polaroid 20" x 24" self-portraits Paris
1992 Travel and photography outback Australia
1993 Visited Paris, France, 6 months. Returned to Australia
1994-99 Teacher of photography: COFA UNSW, University of Technology Sydney & Illawarra Institute of Technology Goulburn College
2000 East Timor


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